A play exposing the little-known history of the Indian migrant labourers indentured to work on plantations around the world following the abolition of slavery is coming to the stage in the new year.
The Great Experiment comes to audiences at the Tara Theatre on February 11-15.
This new work recounts the moment in history when more than two million Indians were indentured to replace slave labour in Mauritius, Malaysia, the Caribbean and mainland Africa as part of The Great Experiment.
Carefully devised by performers from various backgrounds in a process led by those of Mauritian heritage, The Great Experiment, directed by Michael Walling, tells two parallel stories – that of the labourers and that of the actors themselves grappling with their own relationships to this difficult history and its enduring effects that are still felt today.
Having worked with expert historians and the communities descended from indentured workers, the production also makes use of multimedia and archive footage that the audience are encouraged to explore and interact with before each performance.
Director Michael Walling said: “Most of Border Crossings’ previous work has been very contemporary – but the current moment seems to call for a new look at our histories, and particularly the untold histories of the British Empire.
“The story of the indentured migrations feels incredibly resonant at a time when people are travelling the world in search of a better life – not just because these Indian labourers also migrated for work, but also because their work laid the foundations for the very inequalities which make Europe and America so rich and the global South so poor today.
“Our confrontation with this history has brought into the open some incredibly powerful questions about who we are in the UK today: how our multicultural space came into being and why it contains so many unresolved divisions. The past is not past.”
Deviser and performer Nisha Dassyne said: “Working on The Great Experiment, I’ve had to visit the ghosts and memories in my family. They have become more concrete, more human, more accessible.
“The connection to my ancestors isn’t just something to talk about anymore – it’s a real connection.”
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