Author: James Haddrell

While lockdown begins to ease, with markets already reopened, non-essential shops set to reopen next Monday and even zoos now

To suggest that this is a tough time for theatres would be like suggesting that the depletion of the ozone

Regular readers will know that I have been reflecting over the past few weeks on the explosion of free theatre

Like many other theatres, at Greenwich we are offering audiences the opportunity to watch theatre from home while we’re all

The challenges facing the UK economy as the COVID-19 crisis continues are being well documented on a daily basis, with

As the period of lockdown that we’re all living through is formally extended, more and more theatres and theatre companies

I have often wondered whether there is a way that theatre could engage audiences on a returning basis in the

What can a theatre do in a state of lockdown, when the whole reason for its existence is to bring

Last Monday, following government advice, Greenwich Theatre suspended all performances in both the main house and the studio. However, with

With the dramatic impact of the coronavirus, leading all theatres in London to close their doors for an as yet

With many writers and freelance artists losing opportunities across the cultural sector due to the outbreak of the Coronavirus, CultureClash

It is often surprising how prescient the arts can be. Whether science fiction writers are predicting the kind of technological

At the heart of so much of Beckett’s work is the darker side of symbiosis. We’ve all heard about the

One of my favourite periods here at Greenwich Theatre is the school holidays. It is so important, at a time when entertainment

How do theatres attract new audiences? That is a perennial question asked by venue staff, producers, practitioners and funders, as